When MPs Turned Their Attention To Neon Signs
The Commons is rarely a forum for craft. Policy, economics, foreign affairs. Yet in May 2025, the subject was neon. Ms Qureshi, delivered a striking intervention. Her message was clear: hand-bent glass filled with noble gas is artistry. She contrasted it with cheap LED substitutes, saying they undermine public trust. Only gas-filled tubes deserve the title. Another Labour voice joined, best neon lights speaking of local artists. There was broad recognition. Statistics gave weight to the passion.
From hundreds, the number has fallen to a few dozen. No new entrants are learning. Without action, Britain could lose neon entirely. Ideas were floated for a protection act, like Cornish pasties. Defend the craft. Even the DUP weighed in, pointing to industry growth. Neon remains a growth sector. His point: authentic craft has future potential. Closing remarks came from Chris Bryant, Minister for Creative Industries.
He allowed himself puns, drawing laughter. Yet beneath the levity, he admitted neon’s value. He listed Britain’s neon landmarks: Tracey Emin’s installations. He suggested neon is unfairly judged on eco terms. What is at stake? The risk is confusion. LED products are marketed as neon. That erodes trust. Comparable to food and textile protections. If Scotch must come from Scotland, then neon should mean glass and gas. The debate mattered beyond signage.
Do we allow heritage skills to disappear? Our position is clear: glass and real neon signs gas still matter. Westminster glowed for a night. No law has passed yet. But the case is stronger than ever. If MPs can recognise craft, so can homeowners. Look past cheap imitations. Keep the glow alive.
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